Curatorial note:
Sculpt is the only pure white work in the exhibition, its luminous restraint operating as a foil to the surrounding black fields. Tool marks and compressed planes register force with tectonic clarity, recalling Frampton’s insistence on construction as poetics. This is minimalism as matter, not optics—surface as record of assembly. The whiteness evokes modernism’s aspirational tabula rasa, yet the scored plaster resists neutrality, exposing incremental acts of placement and pressure. Architecture is scaled to gesture, revealing structure as accumulated labor. In parallel, the work reflects underground community building: seemingly quiet and spare, yet materially dense with the traces of relational construction.

Acquisition Details

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